1967 Grammy Award Winners |
Winners Announced: March 2, 1967 Table of Contents Grammy Highlights and Achievements
Trivia
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Record of the Year: Strangers in the Night – Frank Sinatra |
Album of the Year: Sinatra: A Man and His Music, Frank Sinatra (Reprise) |
Song of the Year: Michelle – John Lennon and Paul McCartney, songwriters |
Best Vocal Performance, Male: Strangers in the Night – Frank Sinatra |
Best Vocal Performance, Female: If He Walked Into My Life – Eydie Gormé |
Best Performance By a Vocal Group: A Man and a Woman – Anita Kerr Singers |
Best Performance By a Chorus: Somewhere, My Love (Lara’s Theme From Dr. Zhivago), Ray Conniff and Singers |
Best Contemporary (Rock and Roll) Recording: Winchester Cathedral – New Vaudeville Band (Fontana) |
Best Contemporary (Rock and Roll) Solo Vocal Performance, Male or Female: Eleanor Rigby – Paul McCartney |
Best Contemporary (Rock and Roll) Group Performance, Vocal or Instrumental: Monday, Monday – Mamas and the Papas |
Best Rhythm and Blues Recording: Crying Time – Ray Charles (ABC/Paramount) |
Best Rhythm and Blues Solo Vocal Performance, Male or Female: Crying Time – Ray Charles |
Best Rhythm and Blues Group, Vocal or Instrumental: Hold It Right There – Ramsey Lewis |
Best Instrumental Jazz Performance, Group or Soloist With Group: Goin’ Out of My Head – Wes Montgomery |
Best Original Jazz Composition: In the Beginning God – Duke Ellington, composer |
Best Country and Western Song: Almost Persuaded – Billy Sherrill and Glenn Sutton, songwriters |
Best Country and Western Recording: Almost Persuaded – David Houston (Epic) |
Best Country and Western Vocal Performance, Male: Almost Persuaded – David Houston |
Best Country and Western Vocal Performance, Female: Don’t Touch Me – Jeannie Seely |
Best Sacred Recording (Musical): Grand Old Gospel, Porter Wagoner and the Blackwood Brothers (RCA) |
Best Folk Recording: Blues in the Street, Cortelia Clark (RCA) |
Best Instrumental Arrangement: What Now My Love – Herb Alpert, arranger |
Best Arrangement Accompanying a Vocalist or Instrumentalist: Strangers in the Night – Ernie Freeman, arranger |
Best Instrumental Theme: Batman Theme – Neal Hefti, composer |
Best Instrumental Performance (Other Than Jazz): What Now My Love – Herb Alpert and the Tijuana Brass |
Best Score From an Original Cast Show Album: Mame, Jerry Herman, composer (Columbia) |
Best Original Score Written for a Motion Picture or Television Show: Dr. Zhivago, Maurice Jarre, composer |
Album of the Year, Classical: Ives, Symphony No. 1 in D Minor, Morton Gould conducting Chicago Symphony (RCA) |
Best Classical Performance, Orchestra: Mahler, Symphony No. 6 in A Minor, Erich Leinsdorf conducting Boston Symphony |
Best Chamber Music Performance, Instrumental or Vocal: Boston Symphony Chamber Players, Boston Symphony Chamber Players |
Best Classical Music Performance, Instrumental Soloist(s) (With or Without Orchestra): Baroque Guitar, Julian Bream |
Best Opera Recording: Wagner, Die Walkure, Georg Solti conducting Vienna Philharmonic; solos: Nilsson, Crespin, Ludwig, King and Hotter (London) |
Best Classical Choral Performance (Other Than Opera) (tie): Handel, Messiah, Robert Shaw conducting Robert Shaw Chorale and Orchestra Ives, Music for Chorus, Gregg Smith conducting Columbia Chamber Orchestra, Gregg Smith Singers and Ithaca College Concert Choir; George Bragg conducting Texas Boys Choir |
Best Classical Vocal Soloist Performance (With or Without Orchestra): Prima Donna, Leontyne Price; Francesco Molinari-Pradelli conducting RCA Italiana Opera Orchestra |
Best Comedy Performance: Wonderfulness, Bill Cosby |
Best Spoken Word, Documentary or Drama Recording: Edward R. Murrow: A Reporter Remembers?Vol. I The War Years, Edward R. Murrow (Columbia) |
Best Recording for Children: Dr. Seuss Presents: If I Ran the Zoo and Sleep Book – Marvin Miller (RCA) |
Best Album Cover, Graphic Arts: Revolver, Klaus Voormann, graphic artist (Capitol) |
Best Album Cover, Photography: Confessions of a Broken Man, Les Leverette, photographer; Robert Jones, art director (RCA) |
Best Album Notes: Sinatra at the Sands, Stan Cornyn, annotator (Reprise) |