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1967 Oscars 39th Academy Awards |
Winners Announced: April 10, 1967 Cinematic Highlights and AchievementsTable of Contents
Trivia
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1967 Oscar Nominees and Winners |
| Best Picture: A Man for All Seasons – Fred Zinnemann (WINNER) Alfie – Lewis Gilbert The Russians Are Coming, the Russians Are Coming – Norman Jewison The Sand Pebbles – Robert Wise Who’s Afraid of Virginia Woolf? – Ernest Lehman |
| Best Director: Fred Zinnemann – A Man for All Seasons (WINNER) Michelangelo Antonioni – Blowup Claude Lelouch – A Man and a Woman Richard Brooks – The Professionals Mike Nichols – Who’s Afraid of Virginia Woolf? |
| Best Actor: Paul Scofield – A Man for All Seasons as Sir Thomas More (WINNER) Alan Arkin – The Russians Are Coming, the Russians Are Coming as Lt. Yuri Rozanov Richard Burton – Who’s Afraid of Virginia Woolf? as George Michael Caine – Alfie as Alfie Elkins Steve McQueen – The Sand Pebbles as Jake Holman |
| Best Actress: Elizabeth Taylor – Who’s Afraid of Virginia Woolf? as Martha (WINNER) Anouk Aimée – A Man and a Woman as Anne Gauthier Ida Kaminska – The Shop on Main Street as Rozália Lautmannová Lynn Redgrave – Georgy Girl as Georgina “Georgy” Parkin Vanessa Redgrave – Morgan! as Leonie Delt |
| Best Supporting Actor: Walter Matthau – The Fortune Cookie as “Whiplash Willie” Gingrich (WINNER) Mako – The Sand Pebbles as Po-han James Mason – Georgy Girl as James Leamington George Segal – Who’s Afraid of Virginia Woolf? as Nick Robert Shaw – A Man for All Seasons as King Henry VIII |
| Best Supporting Actress: Sandy Dennis – Who’s Afraid of Virginia Woolf? as Honey (WINNER) Wendy Hiller – A Man for All Seasons as Alice More Jocelyne LaGarde – Hawaii as Queen Malama Kanakoa Vivien Merchant – Alfie as Lily Geraldine Page – You’re a Big Boy Now as Margery Chanticleer |
| Best Story and Screenplay Written Directly for the Screen: A Man and a Woman – Screenplay by Claude Lelouch and Pierre Uytterhoeven; Story by Claude Lelouch (WINNER) Blowup – Screenplay by Michelangelo Antonioni, Edward Bond and Tonino Guerra; Story by Michelangelo Antonioni The Fortune Cookie – Billy Wilder and I. A. L. Diamond Khartoum – Robert Ardrey The Naked Prey – Clint Johnston and Don Peters |
| Best Screenplay Based on Material from Another Medium: A Man for All Seasons – Robert Bolt based on his play (WINNER) Alfie – Bill Naughton based on his play The Professionals – Richard Brooks based on the novel A Mule for the Marquesa by Frank O’Rourke The Russians Are Coming, the Russians Are Coming – William Rose based on the novel Off-Islanders by Nathaniel Benchley Who’s Afraid of Virginia Woolf? – Ernest Lehman based on the play by Edward Albee |
| Best Foreign Language Film: A Man and a Woman (France) (WINNER) The Battle of Algiers (Italy) Loves of a Blonde (Czechoslovakia) Pharaoh (Poland) Three (Yugoslavia) |
| Best Song: “Born Free” from Born Free – Music by John Barry; Lyrics by Don Black (WINNER) “Alfie” from Alfie – Music by Burt Bacharach; Lyrics by Hal David “Georgy Girl” from Georgy Girl – Music by Tom Springfield; Lyrics by Jim Dale “My Wishing Doll” from Hawaii – Music by Elmer Bernstein; Lyrics by Mack David “A Time for Love” from An American Dream – Music by Johnny Mandel; Lyrics by Paul Francis Webster |
| Best Documentary Feature: The War Game (WINNER) The Face of a Genius Helicopter Canada The Really Big Family Le Volcan interdit |
| Best Documentary Short Subject: A Year Toward Tomorrow – Edmond A. Levy (WINNER) Adolescence Cowboy The Odds Against Részletek J.S. Bach Máté passiójából |
| Best Short Subject, Live Action: Wild Wings – Edgar Anstey (WINNER) Turkey the Bridge – Derek Williams The Winning Strain – Leslie Winik |
| Best Short Subject, Cartoons: A Herb Alpert and the Tijuana Brass Double Feature – John Hubley and Faith Hubley (WINNER) The Drag – Carlos Marchiori The Pink Blueprint – David H. DePatie and Friz Freleng |
| Best Original Music Score: Born Free – John Barry (WINNER) Who’s Afraid of Virginia Woolf? – Alex North The Bible: In the Beginning… – Toshiro Mayuzumi Hawaii – Elmer Bernstein The Sand Pebbles – Jerry Goldsmith |
| Best Scoring of Music – Adaptation or Treatment: A Funny Thing Happened on the Way to the Forum – Ken Thorne (WINNER) The Gospel According to St. Matthew – Luis Bacalov Return of the Seven – Elmer Bernstein The Singing Nun – Harry Sukman Stop the World – I Want to Get Off – Al Ham |
| Best Sound Effects: Grand Prix – Gordon Daniel (WINNER) Fantastic Voyage – Walter Rossi |
| Best Sound: Grand Prix – Franklin Milton (WINNER) Gambit – Waldon O. Watson Hawaii – Gordon E. Sawyer The Sand Pebbles – James Corcoran Who’s Afraid of Virginia Woolf? – George Groves |
| Best Art Direction, Black-and-White: Who’s Afraid of Virginia Woolf? – Art Direction: Richard Sylbert; Set Decoration: George James Hopkins (WINNER) The Fortune Cookie – Art Direction: Robert Luthardt; Set Decoration: Edward G. Boyle The Gospel According to St. Matthew – Art Direction and Set Decoration: Luigi Scaccianoce Is Paris Burning? – Art Direction: Willy Holt; Set Decoration: Marc Frédérix and Pierre Guffroy Mister Buddwing – Art Direction: George Davis and Paul Groesse; Set Decoration: Henry Grace and Hugh Hunt |
| Best Art Direction, Color: Fantastic Voyage – Art Direction: Jack Martin Smith and Dale Hennesy; Set Decoration: Walter M. Scott and Stuart A. Reiss (WINNER) Gambit – Art Direction: Alexander Golitzen and George C. Webb; Set Decoration: John P. Austin and John McCarthy Jr. Juliet of the Spirits – Art Direction and Set Decoration: Piero Gherardi The Oscar – Art Direction: Hal Pereira and Arthur Lonergan; Set Decoration: Robert R. Benton and James W. Payne The Sand Pebbles – Art Direction: Boris Leven; Set Decoration: Walter M. Scott, John Sturtevant and William Kiernan |
| Best Cinematography, Black-and-White: Who’s Afraid of Virginia Woolf? – Haskell Wexler (WINNER) The Fortune Cookie – Joseph LaShelle Georgy Girl – Kenneth Higgins Is Paris Burning? – Marcel Grignon Seconds – James Wong Howe |
| Best Cinematography, Color: A Man for All Seasons – Ted Moore (WINNER) Fantastic Voyage – Ernest Laszlo Hawaii – Russell Harlan The Professionals – Conrad Hall The Sand Pebbles – Joseph MacDonald |
| Best Costume Design, Black-and-White: Who’s Afraid of Virginia Woolf? – Irene Sharaff (WINNER) The Gospel According to St. Matthew – Danilo Donati Mandragola – Danilo Donati Mister Buddwing – Helen Rose Morgan! – Jocelyn Rickards |
| Best Costume Design, Color: A Man for All Seasons – Joan Bridge and Elizabeth Haffenden (WINNER) Gambit – Jean Louis Hawaii – Dorothy Jeakins Juliet of the Spirits – Piero Gherardi The Oscar – Edith Head |
| Best Film Editing: Grand Prix – Fredric Steinkamp, Henry Berman, Stewart Linder and Frank Santillo (WINNER) Fantastic Voyage – William B. Murphy The Russians Are Coming, the Russians Are Coming – Hal Ashby and J. Terry Williams The Sand Pebbles – William H. Reynolds Who’s Afraid of Virginia Woolf? – Sam O’Steen |
| Best Special Visual Effects: Fantastic Voyage – Art Cruickshank (WINNER) Hawaii – Linwood G. Dunn |
| Honorary Awards: Yakima Canutt “for achievements as a stunt man and for developing safety devices to protect stunt men everywhere.” Y. Frank Freeman “for unusual and outstanding service to the Academy during his thirty years in Hollywood.” |
| Irving G. Thalberg Memorial Award: Robert Wise |
| Jean Hersholt Humanitarian Award: George Bagnall |
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