1963 Oscars 35th Academy Awards |
Winners Announced: April 8, 1963 Cinematic Highlights and AchievementsTable of Contents
Trivia
|
1963 Oscar Nominees and Winners |
https://www.youtube.com/watch?v=nLXoZ69ce-I |
Best Picture: Lawrence of Arabia – Sam Spiegel (WINNER) The Longest Day – Darryl F. Zanuck The Music Man[3] – Morton DaCosta Mutiny on the Bounty – Aaron Rosenberg To Kill a Mockingbird – Alan J. Pakula |
Best Director: David Lean – Lawrence of Arabia (WINNER) Frank Perry – David and Lisa Pietro Germi – Divorce Italian Style Arthur Penn – The Miracle Worker Robert Mulligan – To Kill a Mockingbird |
Best Actor: Gregory Peck – To Kill a Mockingbird (WINNER) Burt Lancaster – Birdman of Alcatraz Jack Lemmon – Days of Wine and Roses Marcello Mastroianni – Divorce Italian Style Peter O’Toole – Lawrence of Arabia |
Best Actress: Anne Bancroft – The Miracle Worker (WINNER) Bette Davis – What Ever Happened to Baby Jane? Katharine Hepburn – Long Day’s Journey into Night Geraldine Page – Sweet Bird of Youth Lee Remick – Days of Wine and Roses |
Best Supporting Actor: Ed Begley – Sweet Bird of Youth (WINNER) Victor Buono – What Ever Happened to Baby Jane? Telly Savalas – Birdman of Alcatraz Omar Sharif – Lawrence of Arabia Terence Stamp – Billy Budd |
Best Supporting Actress: Patty Duke – The Miracle Worker (WINNER) Mary Badham – To Kill a Mockingbird Shirley Knight – Sweet Bird of Youth Angela Lansbury – The Manchurian Candidate Thelma Ritter – Birdman of Alcatraz |
Best Story and Screenplay Written Directly for the Screen: Divorce Italian Style – Ennio de Concini, Alfredo Giannetti and Pietro Germi (WINNER) Freud: The Secret Passion – Story by Charles Kaufman; Screenplay by Charles Kaufman and Wolfgang Reinhardt Last Year at Marienbad – Alain Robbe-Grillet That Touch of Mink – Stanley Shapiro and Nate Monaster Through a Glass Darkly – Ingmar Bergman |
Best Screenplay Based on Material from Another Medium: To Kill a Mockingbird – Horton Foote (WINNER) David and Lisa – Eleanor Perry Lawrence of Arabia – Robert Bolt and Michael Wilson Lolita – Vladimir Nabokov The Miracle Worker – William Gibson |
Best Foreign Language Film: Sundays and Cybele (France) (WINNER) Electra (Greece) The Four Days of Naples (Italy) Keeper of Promises (The Given Word) (Brazil) Tlayucan (Mexico) |
Best Documentary Feature: Black Fox (WINNER) Alvorada |
Best Documentary Short: Dylan Thomas (WINNER) The John Glenn Story The Road to the Wall |
Best Live Action Short Subject: Heureux Anniversaire (WINNER) Big City Blues The Cadillac The Cliff Dwellers Pan |
Best Short Subjects – Cartoons: The Hole (WINNER) Icarus Montgolfier Wright Now Hear This Self Defense … for Cowards A Symposium on Popular Songs |
Best Music Score – Substantially Original: Lawrence of Arabia – Maurice Jarre (WINNER) Freud – Jerry Goldsmith Mutiny on the Bounty – Bronislaw Kaper Taras Bulba – Franz Waxman To Kill a Mockingbird – Elmer Bernstein |
Best Scoring of Music – Adaptation or Treatment: Meredith Willson’s The Music Man – Ray Heindorf (WINNER) Billy Rose’s Jumbo – Georgie Stoll Gigot – Michel Magne Gypsy – Frank Perkins The Wonderful World of the Brothers Grimm – Leigh Harline |
Best Song: “Days of Wine and Roses” from Days of Wine and Roses – Music by Henry Mancini; Lyric by Johnny Mercer (WINNER) “Love Song From Mutiny on the Bounty (Follow Me)” from Mutiny on the Bounty – Music by Bronislaw Kaper; Lyric by Paul Francis Webster “Song From Two for the Seesaw (Second Chance)” from Two for the Seesaw – Music by André Previn; Lyric by Dory Langdon “Tender Is the Night” from Tender Is the Night – Music by Sammy Fain; Lyric by Paul Francis Webster “Walk on the Wild Side” from Walk on the Wild Side – Music by Elmer Bernstein; Lyric by Mack David |
Best Sound: Lawrence of Arabia – John Cox (WINNER) Bon Voyage! – Robert O. Cook Meredith Willson’s The Music Man – George R. Groves That Touch of Mink – Waldon O. Watson What Ever Happened to Baby Jane? – Joseph D. Kelly |
Best Art Direction, Black-and-White: To Kill a Mockingbird – Art Direction: Alexander Golitzen and Henry Bumstead; Set Decoration: Oliver Emert (WINNER) Days of Wine and Roses – Art Direction: Joseph C. Wright; Set Decoration: George James Hopkins The Longest Day – Art Direction: Ted Haworth, Léon Barsacq and Vincent Korda; Set Decoration: Gabriel Béchir Period of Adjustment – Art Direction: George Davis and Edward Carfagno; Set Decoration: Henry Grace and Richard Pefferle The Pigeon That Took Rome – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Samuel M. Comer and Frank R. McKelvy |
Best Art Direction, Color: Lawrence of Arabia – Art Direction: John Box and John Stoll; Set Decoration: Dario Simoni (WINNER) Meredith Willson’s The Music Man – Art Direction: Paul Groesse; Set Decoration: George James Hopkins Mutiny on the Bounty – Art Direction: George Davis and Joseph McMillan Johnson; Set Decoration: Henry Grace and Hugh Hunt That Touch of Mink – Art Direction: Alexander Golitzen and Robert Clatworthy; Set Decoration: George Milo The Wonderful World of the Brothers Grimm – Art Direction: George Davis and Edward Carfagno; Set Decoration: Henry Grace and Richard |
Best Cinematography, Black-and-White: Pefferle (WINNER) The Longest Day – Jean Bourgoin and Walter Wottitz Birdman of Alcatraz – Burnett Guffey To Kill a Mockingbird – Russell Harlan Two for the Seesaw – Ted D. McCord What Ever Happened to Baby Jane? – Ernest Haller |
Best Cinematography, Color: Lawrence of Arabia – Freddie Young (WINNER) Gypsy – Harry Stradling Hatari! – Russell Harlan Mutiny on the Bounty – Robert Surtees The Wonderful World of the Brothers Grimm – Paul C. Vogel |
Best Costume Design, Black-and-White: What Ever Happened to Baby Jane? – Norma Koch (WINNER) Days of Wine and Roses – Don Feld The Man Who Shot Liberty Valance – Edith Head The Miracle Worker – Ruth Morley Phaedra – Denny Vachlioti |
Best Costume Design, Color: The Wonderful World of the Brothers Grimm – Mary Wills (WINNER) Bon Voyage! – Bill Thomas Gypsy – Orry-Kelly Meredith Willson’s The Music Man – Dorothy Jeakins My Geisha – Edith Head |
Best Film Editing: Lawrence of Arabia – Anne V. Coates (WINNER) The Longest Day – Samuel E. Beetley The Manchurian Candidate – Ferris Webster Meredith Willson’s The Music Man – William H. Ziegler Mutiny on the Bounty – John McSweeney Jr. |
Best Special Effects: The Longest Day – Visual Effects by Robert MacDonald; Audible Effects by Jacques Maumont (WINNER) Mutiny on the Bounty – Visual Effects by A. Arnold Gillespie; Audible Effects by Milo B. Lory |
Honorary Academy Awards: Jean Hersholt Humanitarian Award Steve Broidy |
Oscar® and Academy Awards® and Oscar® design mark are the trademarks and service marks and the Oscar© statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. Pop Culture Madness is neither endorsed by nor affiliated with the Academy of Motion Picture Arts and Sciences. |