1991 Grammy Award Winners |
Table of Contents Trivia
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1991 Grammy Winners |
Record of the Year: Another Day in Paradise – Phil Collins |
Album of the Year: Back on the Block, Quincy Jones (Qwest/Warner Bros.) |
Song of the Year: From a Distance – Julie Gold, songwriter |
Best New Artist: Mariah Carey |
Best Pop Vocal Performance, Male: Oh Pretty Woman – Roy Orbison |
Best Pop Vocal Performance, Female: Vision of Love – Mariah Carey |
Best Pop Performance By a Duo or Group With Vocal: All My Life – Linda Ronstadt with Aaron Neville |
Best Pop Instrumental Performance: Twin Peaks Theme – Angelo Badalamenti |
Best Rock/Contemporary Gospel Album: Beyond Belief, Petra (Dayspring/Word) |
Best Rock Vocal Performance, Male: Bad Love – Eric Clapton |
Best Rock Vocal Performance, Female: Black Velvet – Alannah Myles |
Best Pop Performance By a Duo or Group With Vocal: Janie’s Got a Gun – Aerosmith |
Best Rock Instrumental Performance: D/FW – Vaughan Brothers |
Best Hard Rock Performance: Time’s Up, Living Colour |
Best Metal Performance: Stone Cold Crazy – Metallica |
Best Alternative Music Performance: I Do Not Want What I Haven’t Got, Sinead O’Connor |
Best Rhythm and Blues Song: U Can’t Touch This – Rick James, Alonzo Miller and M.C. Hammer, songwriters |
Best Rhythm and Blues Vocal Performance, Male: Here and Now – Luther Vandross |
Best Rhythm and Blues Vocal Performance, Female: Compositions, Anita Baker |
Best Rhythm and Blues Performance By a Duo or Group With Vocal: I’ll Be Good to You – Ray Charles and Chaka Khan |
Best Rap Solo Performance: U Can’t Touch This – M.C. Hammer |
Best Rap Performance By a Duo or Group: Back on the Block – Ice T, Melle Mel, Big Daddy Kane, Kool Moe Dee, Quincy D. III and Quincy Jones |
Best Jazz Vocal Performance, Male: We Are in Love, Harry Connick, Jr. |
Best Jazz Vocal Performance, Female: All That Jazz, Ella Fitzgerald |
Best Jazz Instrumental Performance, Soloist: The Legendary Oscar Peterson Trio Live at the Blue Note, Oscar Peterson |
Best Jazz Instrumental Performance, Group: The Legendary Oscar Peterson Trio Live at the Blue Note, Oscar Peterson Trio |
Best Jazz Instrumental Performance, Big Band: Basie’s Bag – George Benson featuring the Count Basie Orchestra |
Best Jazz Fusion Performance: Birdland – Quincy Jones |
Best Country Song: Where’ve You Been – Jon Vezner and Don Henry, songwriters |
Best Country Vocal Performance, Male: When I Call Your Name – Vince Gill |
Best Country Vocal Performance, Female: Where’ve You Been – Kathy Mattea |
Best Country Performance By a Duo or Group With Vocal: Pickin’ on Nashville, Kentucky Headhunters |
Best Country Vocal Collaboration: Poor Boy Blues – Chet Atkins and Mark Knopfler |
Best Country Instrumental Performance: So Soft, Your Goodbye – Chet Atkins and Mark Knopfler |
Best Bluegrass Recording: I’ve Got That Old Feeling, Alison Krauss (Rounder) |
Best Traditional Soul Gospel Album: Tramaine Hawkins Live, Tramaine Hawkins (Sparrow Corp.) |
Best Contemporary Soul Gospel Album: So Much 2 Say, Take 6 (Reprise/Warner/Alliance) |
Best Pop Gospel Album: Another Time… Another Place, Sandi Patti (A&M/Word) |
Best Southern Gospel Album: The Great Exchange, Bruce Carroll (Word) |
Best Gospel Album By a Choir or Chorus: Having Church, Rev. James Cleveland (Savoy) |
Best Latin Pop Performance: Por Que Te Tengo Que Olvidar? – José Feliciano |
Best Tropical Latin Performance: Lambada Timbales – Tito Puento |
Best Mexican/American Performance: Soy de San Luis – Texas Tornados |
Best Traditional Blues Recording: Live at San Quentin, B.B. King (MCA) |
Best Contemporary Blues Recording: Family Style, Vaughan Brothers (Epic Associated) |
Best Traditional Folk Recording: On Praying Ground, Doc Watson (Sugar Hill) |
Best Contemporary Folk Recording: Steady On, Shawn Colvin (Columbia/CBS) |
Best Reggae Recording Time: Will Tell?A Tribute to Bob Marley, Bunny Wailer (Shanachie) |
Best New Age Performance: Mark Isham, Mark Isham |
Best Polka Recording: When It’s Polka Time at Your House, Jimmy Sturr and His Orchestra (Starr) |
Best Arrangement on an Instrumental: Birdland – Quincy Jones, Ian Prince, Rod Temperton and Jerry Hey, arrangers |
Best Instrumental Arrangement Accompanying Vocal(s): The Places You Find Love – Jerry Hey, Glen Ballard, Clif Magness and Quincy Jones, arrangers |
Best Instrumental Composition: Change of Heart Pat Metheny, composer |
Best Musical Cast Show Album: Les Misèrables, The Complete Symphonic Recording (Relativity) |
Best Instrumental Composition Written for a Motion Picture or for Television: Glory, James Horner, composer (Virgin) |
Best Song Written Specifically for a Motion Picture or for Television: Under the Sea (From The Little Mermaid), Alan Menken and Howard Ashman, composers |
Best Contemporary Composition: Arias and Barcarolles, Leonard Bernstein, composer |
Best Classical Album: Ives, Symphony No. 2 and Three Short Works, Leonard Bernstein conducting New York Philharmonic (Deutsche Grammophon) |
Best Chamber Music or Other Small Ensemble Performance: Brahms, The Three Violin Sonatas, Itzhak Perlman, violinist; Daniel Barenboim, pianist |
Best Classical Performance, Instrumental Soloist(s) (With Orchestra): Shostakovich, Violin Concerto No. 1; Glazunov, Violin Concerto, Itzhak Perlman, violinist; Zubin Mehta conducting Israel Philharmonic |
Best Classical Performance, Instrumental Soloist(s) (Without Orchestra): The Last Recording (Chopin, Haydn, Liszt and Wagner), Vladimir Horowitz |
Best Opera Recording: Wagner, Das Rheingold, James Levine conducting The Metropolitan Opera Orchestra; solos: Morris, Ludwig, Jerusalem, Wlaschiha, Moll, Zednik and Rootering (Deutsche Grammophon) |
Best Choral Performance (Other Than Opera): Walton, Belshazzar’s Feast; Bernstein, Chichester Psalms, Missa Brevis, Robert Shaw conducting Atlanta Symphony Orchestra and Chorus |
Best Classical Vocal Performance: Carreras, Domingo and Pavarotti in Concert, José Carreras, Placido Domingo and Luciano Pavarotti, tenors; Zubin Mehta conducting Orchestra del Maggio Musicale Fiorentino and Orchestra del teatro dell’Opera di Roma |
Best Comedy Recording: P.D.Q. Bach, Oedipus Tex and Other Choral Calamities, Professor Peter Shickele (Telarc) |
Best Spoken Word or Non-Musical Recording: Gracie: A Love Story, George Burns (Simon and Schuster Audio) |
Best Recording for Children: The Little Mermaid?Original Motion Picture Soundtrack, Howard Ashman and Alan Menken, composers (Disneyland Records) |
Best Album Package: Days of Open Hand (Special Edition Hologram Digapack), Len Peltier, Jeffrey Gold and Suzanne Vega, art directors (A&M) |
Best Album Notes: Brownie: The Complete Emarcy Recordings of Clifford Brown, Dan Morgenstern, annotator (Emarcy) |
Best Historical Album: Robert Johnson: The Complete Recordings, Robert Johnson (Columbia/CBS) |
Best Music Video, Short Form: Opposites Attract – Paula Abdul |
Best Music Video, Long Form: Please Hammer Don’t Hurt ‘Em the Movie – M.C. Hammer |
Producer of the Year (Non-Classical): Quincy Jones |
Classical Producer of the Year: Adam Stern |