1994 Grammy Award Winners |
Table of Contents Trivia
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1994 Grammy Winners |
Record of the Year: I Will Always Love You – Whitney Houston |
Album of the Year: The Bodyguard – Original Soundtrack Album, Whitney Houston (Arista) |
Song of the Year: A Whole New World (Theme From Aladdin), Alan Menken and Tim Rice, songwriters |
Best New Artist: Toni Braxton |
Best Pop Vocal Performance, Male: If I Ever Lose My Faith in You – Sting |
Best Pop Vocal Performance, Female: I Will Always Love You – Whitney Houston |
Best Pop Performance By a Duo or Group With Vocal: A Whole New World (Theme From Aladdin), Peabo Bryson and Regina Belle |
Best Traditional Pop Vocal Performance: Steppin’ Out, Tony Bennett |
Best Pop Instrumental Performance: Barcelona Mona – Bruce Hornsby and Branford Marsalis |
Best Rock Gospel Album: Free at Last, DC Talk (ForeFront) |
Best Rock Song: Runaway Train – David Pirner, songwriter |
Best Rock Vocal Performance, Solo: I’d Do Anything for Love (But I Won’t Do That), Meat Loaf |
Best Rock Performance By a Duo or Group With Vocal: Livin’ on the Edge – Aerosmith |
Best Rock Instrumental Performance: Sofa – Zappa’s Universe Rock Group Featuring Steve Vai |
Best Hard Rock Performance With Vocal: Plush – Stone Temple Pilots |
Best Metal Performance With Vocal: I Don’t Want to Change the World – Ozzy Osbourne |
Best Alternative Music Album: Zooropa, U2 (Island) |
Best Rhythm and Blues Song: That’s the Way Love Goes – Janet Jackson, James Harris III and Terry Lewis, songwriters |
Best Rhythm and Blues Vocal Performance, Male: A Song for You – Ray Charles |
Best Rhythm and Blues Vocal Performance, Female: Another Sad Love Song – Toni Braxton |
Best Rhythm and Blues Performance By a Duo or Group With Vocal: No Ordinary Love – Sade |
Best Rap Solo Performance: Let Me Ride – Dr. Dre |
Best Rap Performance By a Duo or Group: Rebirth of Slick (Cool Like Dat), Digable Planets |
Best Jazz Vocal Performance: Take a Look, Natalie Cole |
Best Jazz Instrumental Solo: Miles Ahead – Joe Henderson |
Best Jazz Instrumental Performance, Individual or Group: So Near, So Far (Musings for Miles), Joe Henderson |
Best Contemporary Jazz Performance (Instrumental): The Road to You, Pat Metheny Group |
Best Large Jazz Ensemble Performance: Miles and Quincy Live at Montreux, Miles Davis and Quincy Jones |
Best Country Song: Passionate Kisses – Lucinda Williams, songwriter |
Best Country Vocal Performance, Male: Ain’t That Lonely Yet – Dwight Yoakam |
Best Country Vocal Performance, Female : Passionate Kisses – Mary Chapin Carpenter |
Best Country Performance By a Duo or Group With Vocal: Hard Workin’ Man – Brooks and Dunn |
Best Country Vocal Collaboration: Does He Love You – Reba McEntire and Linda Davis |
Best Country Instrumental Performance: Red Wing – Asleep at the Wheel featuring Eldon Shamblin, Johnny Gimble, Chet Atkins, Vince Gill, Marty Stuart and Reuben Lucky Orleans Gosfield |
Best Bluegrass Album: Waitin’ for the Hard Times to Go, Nashville Bluegrass Band (Sugar Hill) |
Best Traditional Soul Gospel Album: Stand Still, Shirley Caesar (Word Record and Music) |
Best Contemporary Soul Gospel Album: All Out, Winans (Qwest/Warner Alliance) |
Best Pop/Contemporary Gospel Album: The Live Adventure, Steven Curtis Chapman (Sparrow) |
Best Southern Gospel, Country Gospel or Bluegrass Gospel Album: Good News, Kathy Mattea (Mercury) |
Best Gospel Album By a Choir or Chorus: Live… We Come Rejoicing, Brooklyn Tabernacle Choir; Carol Cymbala, choir director (Warner Alliance) |
Best Latin Pop Album: Aries, Luis Miguel (WEA Latina) |
Best Tropical Latin Album: Mi Tierra, Gloria Estefan (Epic) |
Best Mexican/American Album: Live, Selena (Capitol/EMI Latin) |
Best Traditional Blues Album: Blues Summit, B.B. King (MCA) |
Best Contemporary Blues Album: Feels Like Rain, Buddy Guy (Silvertone) |
Best Traditional Folk Album: The Celtic Harp, Chieftains (RCA Victor) |
Best Contemporary Folk Album: Other Voices/Other Rooms, Nanci Griffith (Elektra) |
Best Reggae Album: Bad Boys, Inner Circle (Big Beat/Atlantic) |
Best New Age Album: Spanish Angel, Paul Winter Consort (Living Music) |
Best World Music Album: A Meeting by the River, Ry Cooder and V.M. Bhatt (Walter Lily Acoustics) |
Best Polka Album: Accordionally Yours, Walter Ostanek and His Band (WRS) |
Best Arrangement on an Instrumental: Mood Indigo – Dave Grusin, arranger |
Best Instrumental Arrangement Accompanying Vocal(s): When I Fall in Love – Jeremy Lubbock and David Foster, arrangers |
Best Instrumental Composition: Forever in Love – Kenny G, composer |
Best Musical Show Album: The Who’s Tommy – Original Cast Recording, original cast (RCA Victor) |
Best Instrumental Composition Written for a Motion Picture or for Television: Aladdin, Alan Menken, composer |
Best Song Written for a Motion Picture or for Television: A Whole New World (Theme From Aladdin), Alan Menken and Tim Rice, songwriters |
Best Contemporary Composition: Violin Concerto, Elliott Carter, composer |
Best Classical Album: Bartók, The Wooden Prince and Cantata Profana, Pierre Boulez conducting Chicago Symphony Orchestra and Chorus; John Aler, tenor; John Tomlinson, baritone (Deutsche Grammophon) |
Best Chamber Music Performance: Ives, String Quartets nos. 1 and 2; Barber String Quartet Op. 11 (American Originals), Emerson String Quartet |
Best Classical Performance, Instrumental Soloist(s) (With Orchestra): Berg, Violin Concerto; Rihm, Time Chant, Anne-Sophie Mutter, violinist; James Levine conducting Chicago Symphony Orchestra |
Best Classical Performance, Instrumental Soloist(s) (Without Orchestra): Barber, The Complete Solo Piano Music, John Browning, pianist |
Best Orchestral Performance: Bartók, The Wooden Prince, Pierre Boulez conducting Chicago Symphony |
Best Opera Recording: Handel, Semele, John Nelson conducting English Chamber Orchestra and Ambrosian Opera Chorus; solos: Battle, Horne, Ramey, Aler, McNair, Chance, Mackie and Doss (Deutsche Grammophon) |
Best Performance of a Choral Work: Bartók, Cantata Profana, Pierre Boulez conducting Chicago Symphony Orchestra and Chorus; Margaret Hillis, choral director |
Best Classical Vocal Performance: The Art of Arleen Auger (Works of Larsen, Purcell, Schumann, Mozart), Arleen Auger, soprano; Joel Revzen, accompanist |
Best Spoken Comedy Album: Jammin’ in New York, George Carlin (Eardrum/Atlantic) |
Best Spoken Word or Non-Musical Album: On the Pulse of Morning, Maya Angelou (Random House Audio Books) |
Best Musical Album for Children: Aladdin (Original Motion Picture Soundtrack), various artists (Walt Disney Records) |
Best Spoken Word Album for Children: Audrey Hepburn’s Enchanted Tales, Audrey Hepburn (Dove Audio) |
Best Recording Package: The Complete Billie Holiday on Verve 1945 – 1959, David Lau, art director (Verve) |
Best Album Notes: The Complete Billie Holiday on Verve 1945 – 1959, Buck Clayton, Phil Schaap and Joel E. Siegel, annotators (Verve) |
Best Historical Album: The Complete Billie Holiday on Verve 1945 – 1959, Billie Holiday (Verve) |
Best Music Video, Short Form: Steam – Peter Gabriel |
Best Music Video, Long Form: Ten Summoner’s Tales – Sting |
Producer of the Year (Non-Classical): David Foster |
Classical Producer of the Year: Judith Sherman |