1984 Oscars 56th Academy Awards |
Trivia
|
1984 Oscar Nominees and Winners |
Best Picture: Terms of Endearment – James L. Brooks, producer (WINNER) The Big Chill – Michael Shamberg, producer The Dresser – Peter Yates, producer The Right Stuff – Robert Chartoff and Irwin Winkler, producers Tender Mercies – Philip S. Hobel, producer |
Best Director: James L. Brooks – Terms of Endearment (WINNER) Peter Yates – The Dresser Ingmar Bergman – Fanny and Alexander Mike Nichols – Silkwood Bruce Beresford – Tender Mercies |
Best Actor: Robert Duvall – Tender Mercies as Mac Sledge (WINNER) Michael Caine – Educating Rita as Prof. Frank Bryant Tom Conti – Reuben, Reuben as Gowan McGland Tom Courtenay – The Dresser as Norman Albert Finney – The Dresser as Sir |
Best Actress: Shirley MacLaine – Terms of Endearment as Aurora Greenway (WINNER) Jane Alexander – Testament as Carol Wetherly Meryl Streep – Silkwood as Karen Silkwood Julie Walters – Educating Rita as Susan “Rita” White Debra Winger – Terms of Endearment as Emma Greenway-Horton |
Best Supporting Actor: Jack Nicholson – Terms of Endearment as Garrett Breedlove (WINNER) Charles Durning – To Be or Not to Be as S.S. Colonel Erhardt John Lithgow – Terms of Endearment as Sam Burns Sam Shepard – The Right Stuff as Chuck Yeager Rip Torn – Cross Creek as Marsh Turner |
Best Supporting Actress: Linda Hunt – The Year of Living Dangerously as Billy Kwan (WINNER) Cher – Silkwood as Dolly Pelliker Glenn Close – The Big Chill as Sarah Cooper Amy Irving – Yentl as Hadass Vishkower Alfre Woodard – Cross Creek as Beatrice “Geechee” |
Best Screenplay Written Directly for the Screen: Tender Mercies – Horton Foote (WINNER) The Big Chill – Lawrence Kasdan and Barbara Benedek Fanny and Alexander – Ingmar Bergman Silkwood – Nora Ephron and Alice Arlen WarGames – Lawrence Lasker and Walter Parkes |
Best Screenplay Based on Material from Another Medium: Terms of Endearment – James L. Brooks based on the novel by Larry McMurtry (WINNER) Betrayal – Harold Pinter based on his play The Dresser – Ronald Harwood based on his play Educating Rita – Willy Russell based on his play Reuben, Reuben – Julius J. Epstein based on the play Spofford by Herman Shumlin |
Best Foreign Language Film: Fanny and Alexander (Sweden) (WINNER) The Ball (Algeria) Carmen (Spain) Entre Nous (France) The Revolt of Job (Hungary) |
Best Documentary Feature: He Makes Me Feel Like Dancin’ – Emile Ardolino (WINNER) Children of Darkness – Richard Kotuk and Ara Chekmayan First Contact – Bob Connolly and Robin Anderson The Profession of Arms – Michael Bryans and Tina Viljoen Seeing Red – James Klein and Julia Reichert |
Best Documentary Short Subject: Flamenco at 5:15 – Cynthia Scott and Adam Symansky (WINNER) In the Nuclear Shadow: What Can the Children Tell Us? – Vivienne Verdon-Roe and Eric Thiermann Sewing Woman – Arthur Dong Spaces: The Architecture of Paul Rudolph – Robert Eisenhardt You Are Free (Ihr Zent Frei) – Dea Brokman and Ilene Landis |
Best Live Action Short Film: Boys and Girls – Janice L. Platt (WINNER) Goodie-Two-Shoes – Ian Emes Overnight Sensation – Jon N. Bloom |
Best Animated Short Film: Sundae in New York – Jimmy Picker (WINNER) Mickey’s Christmas Carol – Burny Mattinson Sound of Sunshine – Sound of Rain – Eda Godel Hallinan |
Best Original Score: The Right Stuff – Bill Conti (WINNER) Cross Creek – Leonard Rosenman Return of the Jedi – John Williams Terms of Endearment – Michael Gore Under Fire – Jerry Goldsmith |
Best Original Song:Â Score or Adaptation Score Yentl – Song Score by Michel Legrand and Alan and Marilyn Bergman (WINNER) The Sting II – Adaptation Score by Lalo Schifrin Trading Places – Adaptation Score by Elmer Bernstein |
Best Original Song: “Flashdance… What a Feeling” from Flashdance – Music by Giorgio Moroder; Lyrics by Keith Forsey and Irene Cara (WINNER) “Maniac” from Flashdance – Music and Lyrics by Michael Sembello and Dennis Matkosky “Over You” from Tender Mercies – Music and Lyrics by Austin Roberts and Bobby Hart “Papa, Can You Hear Me?” from Yentl – Music by Michel Legrand; Lyrics by Alan and Marilyn Bergman “The Way He Makes Me Feel” from Yentl – Music by Michel Legrand; Lyrics by Alan and Marilyn Bergman |
Best Sound: The Right Stuff – Mark Berger, Tom Scott, Randy Thom and David MacMillan (WINNER) Never Cry Wolf – Alan Splet, Todd Boekelheide, Randy Thom and David Parker Return of the Jedi – Ben Burtt, Gary Summers, Randy Thom and Tony Dawe Terms of Endearment – Donald O. Mitchell, Rick Kline, Kevin O’Connell and James R. Alexander WarGames – Michael J. Kohut, Carlos Delarios, Aaron Rochin and Willie D. Burton |
Best Sound Effects Editing: The Right Stuff – Jay Boekelheide (WINNER) Return of the Jedi – Ben Burtt |
Best Art Direction: Fanny and Alexander – Art Direction and Set Decoration: Anna Asp (WINNER) Return of the Jedi – Art Direction: Norman Reynolds, Fred Hole and James L. Schoppe; Set Decoration: Michael D. Ford The Right Stuff – Art Direction: Geoffrey Kirkland, Richard Lawrence, W. Stewart Campbell and Peter R. Romero; Set Decoration: Jim Poynter and George R. Nelson Terms of Endearment – Art Direction: Polly Platt and Harold Michelson; Set Decoration: Tom Pedigo and Anthony Mondello Yentl – Art Direction: Roy Walker and Leslie Tomkins; Set Decoration: Tessa Davies |
Best Costume Design: Fanny and Alexander – Marik Vos (WINNER) Cross Creek – Joe I. Tompkins Heart Like a Wheel – William Ware Theiss The Return of Martin Guerre – Anne-Marie Marchand Zelig – Santo Loquasto |
Best Cinematography: Fanny and Alexander – Sven Nykvist (WINNER) Flashdance – Donald Peterman The Right Stuff – Caleb Deschanel WarGames – William A. Fraker Zelig – Gordon Willis |
Best Film Editing: The Right Stuff – Glenn Farr, Lisa Fruchtman, Tom Rolf, Stephen A. Rotter, and Douglas Stewart (WINNER) Blue Thunder – Frank Morriss and Edward M. Abroms Flashdance – Bud S. Smith and Walt Mulconery Silkwood – Sam O’Steen Terms of Endearment – Richard Marks |
Honorary Academy Award: Hal Roach |
Jean Hersholt Humanitarian Award: M. J. Frankovich |
Special Achievement Academy Award: Return of the Jedi – Richard Edlund, Dennis Muren, Ken Ralston and Phil Tippett for Visual Effects |