1944 Oscars 16th Academy Awards |
Major Wins:
Directing & Screenplay:
1944 Oscar Trivia:
|
1944 Oscar Nominees and Winners |
Outstanding Motion Picture: Casablanca – Hal B. Wallis for Warner Bros. (WINNER) For Whom the Bell Tolls – Sam Wood for Paramount Heaven Can Wait – Ernst Lubitsch for 20th Century Fox The Human Comedy – Clarence Brown for Metro-Goldwyn-Mayer In Which We Serve – Noël Coward for Two Cities Films Madame Curie – Sidney Franklin for Metro-Goldwyn-Mayer The More the Merrier – George Stevens for Columbia The Ox-Bow Incident – Lamar Trotti for 20th Century Fox The Song of Bernadette – William Perlberg for 20th Century Fox Watch on the Rhine – Hal B. Wallis for Warner Bros |
Best Director: Michael Curtiz – Casablanca (WINNER) Ernst Lubitsch – Heaven Can Wait Clarence Brown – The Human Comedy George Stevens – The More the Merrier Henry King – The Song of Bernadette |
Best Actor: Paul Lukas – Watch on the Rhine as Kurt Muller (WINNER) Humphrey Bogart – Casablanca as Rick Blaine Gary Cooper – For Whom the Bell Tolls as Robert Jordan Walter Pidgeon – Madame Curie as Pierre Curie Mickey Rooney – The Human Comedy as Homer Macauley |
Best Actress: Jennifer Jones – The Song of Bernadette as Bernadette Soubirous (WINNER) Jean Arthur – The More the Merrier as Constance Milligan Ingrid Bergman – For Whom the Bell Tolls as María Joan Fontaine – The Constant Nymph as Tessa Sanger Greer Garson – Madame Curie as Marie Curie |
Best Supporting Actor: Charles Coburn – The More the Merrier as Benjamin Dingle (WINNER) Charles Bickford – The Song of Bernadette as Abbé Dominique Peyramale J. Carrol Naish – Sahara as Giuseppe Claude Rains – Casablanca as Captain Louis Renault Akim Tamiroff – For Whom the Bell Tolls as Pablo |
Best Supporting Actress: Katina Paxinou – For Whom the Bell Tolls as Pilar (WINNER) Gladys Cooper – The Song of Bernadette as Marie Therese Vauzou Paulette Goddard – So Proudly We Hail! as Lt. Joan O’Doul Anne Revere – The Song of Bernadette as Louise Casterot Soubirous Lucile Watson – Watch on the Rhine as Fanny Farrelly |
Best Original Screenplay: Princess O’Rourke – Norman Krasna (WINNER) Air Force – Dudley Nichols In Which We Serve – Noël Coward The North Star – Lillian Hellman So Proudly We Hail! – Allan Scott |
Best Screenplay: Casablanca – Julius J. Epstein, Philip G. Epstein, and Howard E. Koch, based on Everybody Comes to Rick’s by Murray Burnett and Joan Alison (WINNER) Holy Matrimony – Nunnally Johnson, based on Buried Alive by Arnold Bennett The More the Merrier – Richard Flournoy, Lewis R. Foster, Frank Ross, and Robert Russell, based on a story by Frank Ross and Robert Russell The Song of Bernadette – George Seaton, based on the novel by Franz Werfel Watch on the Rhine – Dashiell Hammett, based on the play by Lillian Hellman |
Best Original Motion Picture Story: The Human Comedy – William Saroyan (WINNER) Action in the North Atlantic – Guy Gilpatric Destination Tokyo – Steve Fisher The More the Merrier – Robert Russell and Frank Ross Shadow of a Doubt – Thornton Wilder |
Best Documentary Feature: Desert Victory – British Ministry of Information (WINNER) Baptism of Fire – United States Army The Battle of Russia – United States Department of War, Special Service Division Report from the Aleutians – United States Army Pictorial Service War Department Report – United States Office of Strategic Services, Field Photographic Bureau |
Best Documentary Short Subject: December 7th – United States Navy (WINNER) Children of Mars – RKO Radio Plan for Destruction – Metro-Goldwyn-Mayer Swedes in America – United States Office of War Information, Overseas Motion Picture Bureau To the People of the United States – Walter Wanger Tomorrow We Fly – United States Navy Bureau of Aeronautics Youth in Crisis – The March of Time |
Best Short Subjects – Cartoons: The Yankee Doodle Mouse – Fred Quimby (WINNER) The 500 Hats of Bartholomew Cubbins – George Pal The Dizzy Acrobat – Walter Lantz Greetings, Bait! – Leon Schlesinger Imagination – Dave Fleischer Reason and Emotion – Walt Disney |
Best Live Action Short Subject, One-Reel: Amphibious Fighters – Grantland Rice (WINNER) Cavalcade of Dance – Gordon Hollingshead Champions Carry On – Edmund Reek Hollywood in Uniform – Ralph Staub Seeing Hands – Pete Smith |
Best Live Action Short Subject, Two-Reel: Heavenly Music – Jerry Bresler and Sam Coslow (WINNER) Letter to a Hero – Frederic Ullman Jr. Mardi Gras – Walter MacEwen Women at War – Gordon Hollingshead |
Best Scoring of a Dramatic or Comedy Picture: The Song of Bernadette – Alfred Newman (WINNER) The Amazing Mrs. Holliday – Hans J. Salter and Frank Skinner Casablanca – Max Steiner Commandos Strike at Dawn – Louis Gruenberg and Morris Stoloff The Fallen Sparrow – C. Bakaleinikoff and Roy Webb For Whom the Bell Tolls – Victor Young Hangmen Also Die! – Hanns Eisler Hi Diddle Diddle – Philip Boutelje In Old Oklahoma – Walter Scharf Johnny Come Lately – Leigh Harline The Kansan – Gerard Carbonara Lady of Burlesque – Arthur Lange Madame Curie – Herbert Stothart The Moon and Sixpence – Dimitri Tiomkin The North Star – Aaron Copland Victory Through Air Power – Edward H. Plumb, Paul J. Smith, and Oliver Wallace |
Best Scoring of a Musical Picture: This Is the Army – Ray Heindorf (WINNER) Coney Island – Alfred Newman Hit Parade of 1943 – Walter Scharf Phantom of the Opera – Edward Ward Saludos Amigos – Edward H. Plumb, Paul J. Smith, and Charles Wolcott The Sky’s the Limit – Leigh Harline Something to Shout About – Morris Stoloff Stage Door Canteen – Frederic E. Rich Star Spangled Rhythm – Robert Emmett Dolan Thousands Cheer – Herbert Stothart |
Best Original Song: “You’ll Never Know” from Hello, Frisco, Hello – Music by Harry Warren; Lyrics by Mack Gordon (WINNER) “A Change of Heart” from Hit Parade of 1943 – Music by Jule Styne; Lyrics by Harold Adamson “Happiness is a Thing Called Joe” from Cabin in the Sky – Music by Harold Arlen; Lyrics by E. Y. Harburg “My Shining Hour” from The Sky’s the Limit – Music by Harold Arlen; Lyrics by Johnny Mercer “Saludos Amigos” from Saludos Amigos – Music by Charles Wolcott; Lyrics by Ned Washington “Say a Pray’r for the Boys Over There” from Hers to Hold – Music by Jimmy McHugh; Lyrics by Herb Magidson “That Old Black Magic” from Star Spangled Rhythm – Music by Harold Arlen; Lyrics by Johnny Mercer “They’re Either Too Young or Too Old” from Thank Your Lucky Stars – Music by Arthur Schwartz; Lyrics by Frank Loesser “We Mustn’t Say Goodbye” from Stage Door Canteen – Music by James V. Monaco; Lyrics by Al Dubin “You’d Be So Nice to Come Home To” from Something to Shout About – Music and Lyrics by Cole Porter |
Best Sound Recording: This Land Is Mine – Stephen Dunn (WINNER) Hangmen Also Die! – Jack Whitney In Old Oklahoma – Daniel J. Bloomberg Madame Curie – Douglas Shearer The North Star – Thomas T. Moulton Phantom of the Opera – Bernard B. Brown Riding High – Loren L. Ryder Sahara – John P. Livadary Saludos Amigos – C. O. Slyfield So This Is Washington – J. L. Fields The Song of Bernadette – E. H. Hansen This Is the Army – Nathan Levinson |
Best Art Direction – Interior Decoration, Black-and-White: The Song of Bernadette – Art Direction: James Basevi and William S. Darling; Interior Decoration: Thomas Little (WINNER) Five Graves to Cairo – Art Direction: Hans Dreier and Ernst Fegté; Interior Decoration: Bertram Granger Flight for Freedom – Art Direction: Albert S. D’Agostino and Carroll Clark; Interior Decoration: Darrell Silvera and Harley Miller Madame Curie – Art Direction: Cedric Gibbons and Paul Groesse; Interior Decoration: Edwin B. Willis and Hugh Hunt Mission to Moscow – Art Direction: Carl Jules Weyl; Interior Decoration: George James Hopkins The North Star – Art Direction: Perry Ferguson; Interior Decoration: Howard Bristol |
Best Art Direction – Interior Decoration, Color: Phantom of the Opera – Art Direction: Alexander Golitzen and John B. Goodman; Interior Decoration: Russell A. Gausman and Ira S. Webb (WINNER) For Whom the Bell Tolls – Art Direction: Hans Dreier and Haldane Douglas; Interior Decoration: Bertram Granger The Gang’s All Here – Art Direction: James Basevi and Joseph C. Wright; Interior Decoration: Thomas Little This Is the Army – Art Direction: John Hughes and Lt. John Koenig; Interior Decoration: George James Hopkins Thousands Cheer – Art Direction: Cedric Gibbons and Daniel B. Cathcart; Interior Decoration: Edwin B. Willis and Jacques Mersereau |
Best Cinematography, Black-and-White: The Song of Bernadette – Arthur C. Miller (WINNER) Air Force – James Wong Howe, Elmer Dyer and Charles A. Marshall Casablanca – Arthur Edeson Corvette K-225 – Tony Gaudio Five Graves to Cairo – John F. Seitz The Human Comedy – Harry Stradling Madame Curie – Joseph Ruttenberg The North Star – James Wong Howe Sahara – Rudolph Maté So Proudly We Hail! – Charles Lang |
Best Cinematography, Color: Phantom of the Opera – Hal Mohr and W. Howard Greene (WINNER) For Whom the Bell Tolls – Ray Rennahan Heaven Can Wait – Edward Cronjager Hello, Frisco, Hello – Charles G. Clarke and Allen Davey Lassie Come Home – Leonard Smith Thousands Cheer – George J. Folsey |
Best Film Editing: Air Force – George Amy (WINNER) Casablanca – Owen Marks Five Graves to Cairo – Doane Harrison For Whom the Bell Tolls – Sherman Todd and John F. Link Sr. The Song of Bernadette – Barbara McLean |
Best Special Effects: Crash Dive – Photographic Effects: Fred Sersen; Sound Effects: Roger Heman (WINNER) Air Force – Photographic Effects: Hans F. Koenekamp and Rex Wimpy; Sound Effects: Nathan Levinson Bombardier – Photographic Effects: Vernon L. Walker; Sound Effects James G. Stewart and Roy Granville The North Star – Photographic Effects: Clarence Slifer and Ray Binger; Sound Effects: Thomas T. Moulton So Proudly We Hail! – Photographic Effects: Farciot Edouart and Gordon Jennings; Sound Effects: George Dutton Stand By for Action – Photographic Effects: A. Arnold Gillespie and Donald Jahraus; Sound Effects: Michael Steinore |
Academy Honorary Award: George Pal “for the development of novel methods and techniques in the production of short subjects known as Puppetoons.” |
Irving G. Thalberg Memorial Award: Hal B. Wallis |
Oscar® and Academy Awards® and Oscar® design mark are the trademarks and service marks and the Oscar© statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. Pop Culture Madness is neither endorsed by nor affiliated with the Academy of Motion Picture Arts and Sciences. |