1973 Grammy Award Winners
- Winners Announced: March 3, 1973
- Held at: Tennessee Theater, Nashville, Tennessee
- Host: Andy Williams
- Eligibility Year: October 16, 1971 – October 15, 1972
Musical Highlights and Achievements
- Sweep by “The Concert for Bangladesh”: The album, organized by George Harrison and Ravi Shankar, won Album of the Year and demonstrated the power of music to enact social change.
- Robert Flack’s “First Time Ever I Saw Your Face”: This song won both Record of the Year and Song of the Year, catapulting Roberta Flack to stardom.
- Prestigious Newcomer: America won Best New Artist
Engaging Trivia
- Country Takeover: With the Grammys being held in Nashville for the first time, there was a noticeable focus on country music, including Charley Pride winning Best Country Vocal Performance.
- Repeat Host: Andy Williams hosted the Grammys for several years, but the 1973 event was notable for its location change to Nashville, placing Williams in the heart of country music.
- Youth Power: Michael Jackson got his first Grammy nomination at 14 for Best Original Score Written for a Motion Picture or a Television Special.
- Try our 1973 Quiz!
1973 Grammy Winners
Record of the Year:
The First Time Ever I Saw Your Face – Roberta Flack
The First Time Ever I Saw Your Face – Roberta Flack
Album of the Year:
The Concert for Bangla Desh, George Harrison, Ravi Shanker, Bob Dylan, Leon Russell, Ringo Starr, Billy Preston, Eric Clapton and Klaus Voormann (Apple)
The Concert for Bangla Desh, George Harrison, Ravi Shanker, Bob Dylan, Leon Russell, Ringo Starr, Billy Preston, Eric Clapton and Klaus Voormann (Apple)
Song of the Year:
The First Time Ever I Saw Your Face – Ewan MacColl, songwriter
The First Time Ever I Saw Your Face – Ewan MacColl, songwriter
Best New Artist of the Year:
America
America
Best Pop Vocal Performance, Male:
Without You – Nilsson
Without You – Nilsson
Best Pop Vocal Performance, Female:
I Am Woman – Helen Reddy
I Am Woman – Helen Reddy
Best Pop Vocal Performance By a Duo, Group or Chorus:
Where Is the Love – Roberta Flack and Donny Hathaway
Where Is the Love – Roberta Flack and Donny Hathaway
Best Pop Instrumental Performance By an Instrumental Performer:
Outa-Space – Billy Preston
Outa-Space – Billy Preston
Best Pop Instrumental Performance With Vocal:
Coloring Black Moses, Isaac Hayes
Coloring Black Moses, Isaac Hayes
Best Rhythm and Blues Song:
Papa Was a Rolling Stone – Barrett Strong and Norman Whitfield, songwriters
Papa Was a Rolling Stone – Barrett Strong and Norman Whitfield, songwriters
Best Rhythm and Blues Vocal Performance, Male:
Me and Mrs. Jones – Billy Paul
Me and Mrs. Jones – Billy Paul
Best Rhythm and Blues Vocal Performance, Female:
Young, Gifted and Black, Aretha Franklin
Young, Gifted and Black, Aretha Franklin
Best Rhythm and Blues Vocal Performance By a Duo, Group, or Chorus:
Papa Was a Rolling Stone – Temptations
Papa Was a Rolling Stone – Temptations
Best Jazz Performance By a Soloist:
Alone at Last – Gary Burton
Alone at Last – Gary Burton
Best Jazz Performance By a Group:
First Light – Freddie Hubbard
First Light – Freddie Hubbard
Best Jazz Performance By a Big Band:
Toga Brava Suite – Duke Ellington
Toga Brava Suite – Duke Ellington
Best Country Vocal Performance, Female:
Happiest Girl in the Whole USA – Donna Fargo
Happiest Girl in the Whole USA – Donna Fargo
Best Country Vocal Performance, Male:
Charley Pride Sings Heart Songs, Charley Pride
Charley Pride Sings Heart Songs, Charley Pride
Best Country Vocal Performance By a Duo or Group:
Class of ’57 – Statler Brothers
Class of ’57 – Statler Brothers
Best Country Instrumental Performance:
Charlie McCoy/The Real McCoy, Charlie McCoy
Charlie McCoy/The Real McCoy, Charlie McCoy
Best Country Song:
Kiss an Angel Good Mornin’ – Ben Peters, songwriter
Kiss an Angel Good Mornin’ – Ben Peters, songwriter
Best Gospel Performance:
L-O-V-E, Blackwood Brothers
L-O-V-E, Blackwood Brothers
Best Soul Gospel Performance:
Amazing Grace – Aretha Franklin
Amazing Grace – Aretha Franklin
Best Inspirational Performance:
He Touched Me, Elvis Presley
He Touched Me, Elvis Presley
Best Ethnic or Traditional Recording:
The London Muddy Waters Session, Muddy Waters (Chess)
The London Muddy Waters Session, Muddy Waters (Chess)
Best Instrumental Arrangement:
Theme From The French Connection – Don Ellis, arranger
Theme From The French Connection – Don Ellis, arranger
Best Arrangement Accompanying Vocalist:
What Are You Doing the Rest of Your Life – Michel Legrand, arranger
What Are You Doing the Rest of Your Life – Michel Legrand, arranger
Best Instrumental Composition:
Brian’s Song – Michel Legrand, composer
Brian’s Song – Michel Legrand, composer
Best Score From an Original Cast Show Album:
Don’t Bother Me, I Can’t Cope, Micki Grant, composer (Polydor)
Don’t Bother Me, I Can’t Cope, Micki Grant, composer (Polydor)
Best Original Score Written for a Motion Picture or a Television Special:
The Godfather, Nino Rota, composer
The Godfather, Nino Rota, composer
Album of the Year, Classical:
Mahler, Symphony No. 8 in E-Flat Major (Symphony of a Thousand), Sir Georg Solti conducting Chicago Symphony Orchestra, Vienna Boys Choir, Vienna State Opera Chorus, Vienna Singverein Chorus and Soloists (London)
Mahler, Symphony No. 8 in E-Flat Major (Symphony of a Thousand), Sir Georg Solti conducting Chicago Symphony Orchestra, Vienna Boys Choir, Vienna State Opera Chorus, Vienna Singverein Chorus and Soloists (London)
Best Classical Performance, Orchestra:
Mahler, Symphony No. 7 in E Minor, Sir Georg Solti conducting Chicago Symphony Orchestra
Mahler, Symphony No. 7 in E Minor, Sir Georg Solti conducting Chicago Symphony Orchestra
Best Chamber Music Performance:
Julian and John, Julian Bream and John Williams
Julian and John, Julian Bream and John Williams
Best Instrumental Soloist Performance, Classical:
(With Orchestra) Brahms, Concerto No. 2, Artur Rubinstein
(With Orchestra) Brahms, Concerto No. 2, Artur Rubinstein
Best Instrumental Soloist Performance, Classical (Without Orchestra):
Horowitz Plays Chopin, Vladimir Horowitz
Horowitz Plays Chopin, Vladimir Horowitz
Best Opera Recording:
Berlioz, Benvenuto Cellini, Colin Davis conducting BBC Symphony and Chorus of Covent Garden (Philips)
Berlioz, Benvenuto Cellini, Colin Davis conducting BBC Symphony and Chorus of Covent Garden (Philips)
Best Choral Performance, Classical:
Mahler, Symphony No. 8 in E-Flat Major (Symphony of a Thousand), Sir Georg Solti conducting Chicago Symphony Orchestra, Vienna Boys Choir, Vienna State Opera Chorus, Vienna Singverein Chorus and Soloists
Mahler, Symphony No. 8 in E-Flat Major (Symphony of a Thousand), Sir Georg Solti conducting Chicago Symphony Orchestra, Vienna Boys Choir, Vienna State Opera Chorus, Vienna Singverein Chorus and Soloists
Best Vocal Soloist Performance, Classical:
Brahms, Die Schöne Magelone, Dietrich Fischer-Dieskau
Brahms, Die Schöne Magelone, Dietrich Fischer-Dieskau
Best Comedy Recording:
FM and AM, George Carlin (Little David)
FM and AM, George Carlin (Little David)
Best Spoken Word Recording:
Lenny, Original Cast (Blue Thumb)
Lenny, Original Cast (Blue Thumb)
Best Recording for Children:
The Electric Company, Lee Chamberlin, Bill Cosby and Rita Moreno (Warner Bros.)
The Electric Company, Lee Chamberlin, Bill Cosby and Rita Moreno (Warner Bros.)
Best Album Cover:
The Siegel Schwall Band, Acy Lehman, art director; Harvey Dinnerstein, artist (Wooden Nickel)
The Siegel Schwall Band, Acy Lehman, art director; Harvey Dinnerstein, artist (Wooden Nickel)
Best Album Notes:
Tom T. Hall’s Greatest Hits, Tom T. Hall, annotator (Mercury)
Tom T. Hall’s Greatest Hits, Tom T. Hall, annotator (Mercury)
Best Album Notes, Classical:
Williams, Symphony No. 2, James Lyons, annotator (RCA)
Williams, Symphony No. 2, James Lyons, annotator (RCA)