1990 Grammy Award Winners |
TriviaTable of Contents
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1990 Grammy Winners |
Record of the Year: Wind Beneath My Wings – Bette Midler |
Album of the Year: Nick of Time, Bonnie Raitt (Capitol) |
Song of the Year: Wind Beneath My Wings – Larry Henley and Jeff Silbar, songwriters |
Best Pop Vocal Performance, Male: How Am I Supposed to Live Without You – Michael Bolton |
Best Pop Vocal Performance, Female: Nick of Time – Bonnie Raitt |
Best Pop Performance By a Duo or Group With Vocal: Don’t Know Much – Linda Ronstadt and Aaron Neville |
Best Pop Instrumental Performance: Healing Chant – Neville Brothers |
Best Rock Vocal Performance, Male: The End of the Innocence, Don Henley |
Best Rock Vocal Performance, Female: Nick of Time, Bonnie Raitt |
Best Rock Performance By a Duo or Group With Vocal: Traveling Wilburys Volume One, Traveling Wilburys |
Best Rock Instrumental Performance: Jeff Beck’s Guitar Shop With Terry Bozzio and Tony Hymas, Jeff Beck, Terry Bozzio and Tony Hymas |
Best Hard Rock Performance: Cult of Personality – Living Colour |
Best Metal Performance: One – Metallica |
Best Rhythm and Blues Song: If You Don’t Know Me by Now – Kenny Gamble and Leon Huff, songwriters |
Best Rhythm and Blues Vocal Performance, Male: Every Little Step – Bobby Brown |
Best Rhythm and Blues Vocal Performance, Female: Giving You the Best That I Got, Anita Baker |
Best Rhythm and Blues Performance By a Duo or Group With Vocal: Back to Life – Soul II Soul featuring Caron Wheeler |
Best Rhythm and Blues Instrumental Performance: African Dance – Soul II Soul |
Best Rap Performance: Bust a Move – Young MC |
Best Jazz Vocal Performance, Male: When Harry Met Sally, Harry Connick, Jr. |
Best Jazz Vocal Performance, Female: Blues on Broadway, Ruth Brown |
Best Jazz Vocal Performance, Duo or Group: Makin’ Whoopee – Dr. John and Rickie Lee Jones |
Best Jazz Instrumental Performance, Soloist: on a Jazz Recording Aura, Miles Davis (Columbia/CBS) |
Best Jazz Instrumental Performance, Group: Chick Corea Akoustic Band, Chick Corea Akoustic Band |
Best Jazz Instrumental Performance, Big Band: Aura, Miles Davis |
Best Jazz Fusion Performance: Letter From Home, Pat Metheny Group |
Best Country Song: After All This Time – Rodney Crowell, songwriter |
Best Country Vocal Performance, Male: Lyle Lovett and His Large Band, Lyle Lovett |
Best Country Vocal Performance, Female: Absolute Torch and Twang, k.d. lang |
Best Country Performance By a Duo or Group With Vocal: Will the Circle Be Unbroken Volume Two, Nitty Gritty Dirt Band |
Best Country Vocal Collaboration: There’s a Tear in My Beer – Hank Williams, Jr. and Hank Williams, Sr. |
Best Country Instrumental Performance: Amazing Grace – Randy Scruggs |
Best Bluegrass Recording: The Valley Road – Bruce Hornsby and the Nitty Gritty Dirt Band (Universal) |
Best Gospel Vocal Performance, Male: Meantime – BeBe Winans |
Best Gospel Vocal Performance, Female: Don’t Cry – CeCe Winans |
Best Gospel Vocal Performance By a Duo or Group, Choir or Chorus: The Savior Is Waiting – Take 6 |
Best Soul Gospel Vocal Performance, Male or Female: As Long as We’re Together – Al Green |
Best Soul Gospel Vocal Performance By a Duo or Group, Choir or Chorus: Let Brotherly Love Continue – Daniel Winans and Choir |
Best Latin Pop Performance: Cielito Lindo – José Feliciano |
Best Tropical Latin Performance: Ritmo en el Corazon, Celia Cruz and Ray Barretto |
Best Mexican/American Performance: La Pistola y el Corazon, Los Lobos |
Best Traditional Blues Recording: I’m in the Mood – John Lee Hooker and Bonnie Raitt (Chameleon Music Group) |
Best Contemporary Blues Recording: In Step, Stevie Ray Vaughan and Double Trouble (Epic) |
Best Traditional Folk Recording: Le Mystère des Voix Bulgares, Vol. II, Bulgarian State Female Vocal Choir (Elektra/Nonesuch) |
Best Contemporary Folk Recording: Indigo Girls, Indigo Girls (Epic) |
Best Reggae Recording: One Bright Day, Ziggy Marley and the Melody Makers (Virgin) |
Best New Age Performance: Passion (Music from The Last Temptation of Christ), Peter Gabriel |
Best Polka Recording: All in My Love for You, Jimmy Sturr and His Orchestra (Starr) |
Best Arrangement on an Instrumental: Suite From The Milagro Beanfield War – Dave Grusin, arranger |
Best Instrumental Arrangement Accompanying Vocal(s): My Funny Valentine – Dave Grusin, arranger |
Best Instrumental Composition: The Batman Theme – Danny Elfman, composer |
Best Musical Cast Show Album: Jerome Robbins’ Broadway, Jason Alexander, Debbie Shapiro and Robert La Fasse (RCA Victor) |
Best Album of Original Instrumental Background Score Written for a Motion Picture or Television: The Fabulous Baker Boys, Dave Grusin, composer (GRP) |
Best Song Written Specifically for a Motion Picture or Television: Let the River Run (From the motion picture Working Girl), Carly Simon, composer (Arista) |
Best Contemporary Composition: Different Trains, Steve Reich, composer |
Best Classical Album: Bartók, 6 String Quartets, Emerson String Quartet (Deutsche Grammophon) |
Best Orchestral Performance: Mahler, Symphony No. 3 in D Minor, Leonard Bernstein and the New York Philharmonic |
Best Chamber Music Performance: Bartók, 6 String Quartets, Emerson String Quartet |
Best Classical Performance, Instrumental Soloist(s) (With Orchestra): Barber, Cello Concerto, Op. 22; Britten, Symphony for Cello and Orchestra, Op. 68, Yo-Yo Ma, cellist; David Zinman conducting Baltimore Symphony Orchestra |
Best Classical Performance, Instrumental Soloist(s) (Without Orchestra): Bach, English Suites, BMV 806-11, Andras Schiff, pianist |
Best Opera Recording: Wagner, Die Walkuere, James Levine conducting Metropolitan Opera Orchestra; solos: Lakes, Moll, Morris, Norman, Behrens and Ludwig (Deutsche Grammophon) |
Best Choral Performance (Other Than Opera): Britten, War Requiem, Robert Shaw conducting Atlanta Symphony Orchestra and Chorus and Atlanta Boys Choir |
Best Classical Vocal Soloist Performance: Knoxville, Summer of 1915 (Music of Barber, Menott, Harbison and Stravinsky), Dawn Upshaw, soprano; David Zinman conducting Orchestra of St. Luke’s |
Best Comedy Recording: P.D.Q. Bach, 1712 Overture and Other Musical Assaults, Professor Peter Schickele (Telarc) |
Best Spoken Word or Non-Musical Recording: It’s Always Something, Gilda Radner (Simon and Schuster Audio) |
Best Recording for Children: The Rock-a-Bye Collection Vol. I, Tanya Goodman (Jaba) |
Best Album Package: Sound + Vision, Roger Gorman, art director (Rykodisc) |
Best Album Notes: Bird: The Complete Charlie Parker on Verve, Phil Schaap, annotator (Verve) |
Best Historical Album: Chuck Berry – The Chess Box, Chuck Berry (Chess/MCA) |
Best Music Video, Short Form: Leave Me Alone – Michael Jackson |
Best Music Video, Long Form: Rhythm Nation 1814 – Janet Jackson |
Producer of the Year (Non-Classical): Peter Asher |
Classical Producer of the Year: Robert Woods |