1955 Oscars 27th Academy Awards |
Major Wins:
Directing & Screenplay:
Additional Info:
Trivia:
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1955 Oscar Nominees and Winners |
Best Motion Picture: On the Waterfront – Sam Spiegel for Columbia Pictures (WINNER) The Caine Mutiny – Stanley Kramer for Columbia Pictures The Country Girl – William Perlberg for Paramount Pictures Seven Brides for Seven Brothers – Jack Cummings for Metro-Goldwyn-Mayer Three Coins in the Fountain – Sol C. Siegel for 20th Century Fox |
Best Director: Elia Kazan – On the Waterfront (WINNER) George Seaton – The Country Girl William A. Wellman – The High and the Mighty Alfred Hitchcock – Rear Window Billy Wilder – Sabrina |
Best Actor: Marlon Brando – On the Waterfront as Terry Malloy (WINNER) Humphrey Bogart – The Caine Mutiny as Lieutenant Commander Philip Francis Queeg Bing Crosby – The Country Girl as Frank Elgin James Mason – A Star Is Born as Norman Maine Dan O’Herlihy – Robinson Crusoe as Robinson Crusoe |
Best Actress: Grace Kelly – The Country Girl as Georgie Elgin (WINNER) Dorothy Dandridge – Carmen Jones as Carmen Jones Judy Garland – A Star Is Born as Esther Blodgett Audrey Hepburn – Sabrina as Sabrina Fairchild Jane Wyman – Magnificent Obsession as Helen Phillips |
Best Supporting Actor: Edmond O’Brien – The Barefoot Contessa as Oscar Muldoon (WINNER) Lee J. Cobb – On the Waterfront as Michael J. Skelly aka “Johnny Friendly” Karl Malden – On the Waterfront as Father Barry Rod Steiger – On the Waterfront as Charley “the Gent” Malloy Tom Tully – The Caine Mutiny as Lieutenant Commander William H. De Vriess |
Best Supporting Actress: Eva Marie Saint – On the Waterfront as Edie Doyle (WINNER) Nina Foch – Executive Suite as Erica Martin Katy Jurado – Broken Lance as Señora Devereaux Jan Sterling – The High and the Mighty as Sally McKee Claire Trevor – The High and the Mighty as May Holst |
Best Screenplay: The Country Girl – George Seaton based on the play by Clifford Odets (WINNER) The Caine Mutiny – Stanley Roberts based on the novel by Herman Wouk Rear Window – John Michael Hayes based on the story “It Had To Be Murder” by Cornell Woolrich Sabrina – Billy Wilder, Samuel A. Taylor, and Ernest Lehman based on the novel by Samuel Taylor Seven Brides for Seven Brothers – Albert Hackett, Frances Goodrich, and Dorothy Kingsley based on the story “The Sobbin’ Women” by Stephen Vincent Benét |
Best Story and Screenplay: On the Waterfront – Budd Schulberg (WINNER) The Barefoot Contessa – Joseph L. Mankiewicz Genevieve – William Rose The Glenn Miller Story – Valentine Davies and Oscar Brodney Knock on Wood – Norman Panama and Melvin Frank |
Best Story: Broken Lance – Philip Yordan (WINNER) Bread, Love and Dreams – Ettore Maria Margadonna Forbidden Games – Francois Boyer Night People – Jed Harris and Tom Reed There’s No Business Like Show Business – Lamar Trotti (posthumous nomination) |
Best Short Subject – Cartoons: When Magoo Flew (WINNER) Crazy Mixed Up Pup Pigs Is Pigs Sandy Claws Touché, Pussy Cat! |
Best Documentary Feature: The Vanishing Prairie – Walt Disney (WINNER) The Stratford Adventure – Guy Glover |
Best Documentary Short Subject: Thursday’s Children (WINNER) Jet Carrier Rembrandt: A Self-Portrait |
Best Live Action Short Subject, One-Reel: This Mechanical Age – Robert Youngson (WINNER) The First Piano Quartette – Otto Lang The Strauss Fantasy – Johnny Green |
Best Live Action Short Subject, Two-Reel: A Time Out of War – Denis Sanders and Terry Sanders (WINNER) Beauty and the Bull – Cedric Francis Jet Carrier – Otto Lang Siam – Walt Disney Productions |
Best Music Score of a Dramatic or Comedy Picture: The High and the Mighty – Dimitri Tiomkin (WINNER) The Caine Mutiny – Max Steiner Genevieve – Larry Adler On the Waterfront – Leonard Bernstein The Silver Chalice – Franz Waxman |
Best Scoring of a Musical Picture: Seven Brides for Seven Brothers – Adolph Deutsch and Saul Chaplin (WINNER) Carmen Jones – Herschel Burke Gilbert The Glenn Miller Story – Joseph Gershenson and Henry Mancini A Star Is Born – Ray Heindorf There’s No Business Like Show Business – Alfred Newman and Lionel Newman |
Best Song: “Three Coins in the Fountain” from Three Coins in the Fountain – Music by Jule Styne; Lyrics by Sammy Cahn (WINNER) “Count Your Blessings Instead of Sheep” from White Christmas – Music and Lyrics by Irving Berlin “The High and the Mighty” from The High and the Mighty – Music by Dimitri Tiomkin; Lyrics by Ned Washington “Hold My Hand” from Susan Slept Here – Music and Lyrics by Jack Lawrence and Richard Myers “The Man That Got Away” from A Star Is Born – Music by Harold Arlen; Lyrics by Ira Gershwin |
Best Sound Recording: The Glenn Miller Story – Leslie I. Carey (WINNER) Brigadoon – Wesley C. Miller The Caine Mutiny – John P. Livadary Rear Window – Loren L. Ryder Susan Slept Here – John O. Aalberg |
Best Art Direction, Black-and-White: On the Waterfront – Art Direction and Set Decoration: Richard Day (WINNER) The Country Girl – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Samuel M. Comer and Grace Gregory Executive Suite – Art Direction: Cedric Gibbons and Edward Carfagno; Set Decoration: Edwin B. Willis and Emile Kuri Le Plaisir – Art Direction and Set Decoration: Max Ophüls Sabrina – Art Direction: Hal Pereira and Walter Tyler; Set Decoration: Samuel M. Comer and Ray Moyer |
Best Art Direction, Color: 20,000 Leagues Under the Sea – Art Direction: John Meehan; Set Decoration: Emile Kuri (WINNER) A Star Is Born – Art Direction: Malcolm Bert, Gene Allen and Irene Sharaff; Set Decoration: George James Hopkins Brigadoon – Art Direction: Cedric Gibbons and E. Preston Ames; Set Decoration: Edwin B. Willis and Keogh Gleason Désirée – Art Direction: Lyle R. Wheeler and Leland Fuller; Set Decoration: Walter M. Scott and Paul S. Fox Red Garters – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Samuel M. Comer and Ray Moyer |
Best Cinematography, Black-and-White: On the Waterfront – Boris Kaufman (WINNER) The Country Girl – John F. Warren Executive Suite – George Folsey Rogue Cop – John Seitz Sabrina – Charles Lang |
Best Cinematography, Color: Three Coins in the Fountain – Milton Krasner (WINNER) The Egyptian – Leon Shamroy Rear Window – Robert Burks Seven Brides for Seven Brothers – George Folsey The Silver Chalice – William V. Skall |
Best Costume Design, Black-and-White: Sabrina – Edith Head (WINNER) The Earrings of Madame de… – Georges Annenkov and Rosine Delamare Executive Suite – Helen Rose Indiscretion of an American Wife – Christian Dior It Should Happen to You – Jean Louis |
Best Costume Design, Color: Gate of Hell – Sanzo Wada (WINNER) Brigadoon – Irene Sharaff Désirée – Charles LeMaire and René Hubert A Star Is Born – Jean Louis, Mary Ann Nyberg and Irene Sharaff There’s No Business Like Show Business – Charles LeMaire, Travilla and Miles White |
Best Film Editing: On the Waterfront – Gene Milford (WINNER) 20,000 Leagues Under the Sea – Elmo Williams The Caine Mutiny – William A. Lyon and Henry Batista The High and the Mighty – Ralph Dawson Seven Brides for Seven Brothers – Ralph E. Winters |
Best Special Effects: 20,000 Leagues Under the Sea (WINNER) Hell and High Water Them! |
Academy Honorary Awards: Bausch and Lomb Optical “for their contributions to the advancement of the motion picture industry.” Kemp R. Niver “for the development of the Renovare Process which has made possible the restoration of the Library of Congress Paper Film Collection.” Greta Garbo “for her unforgettable screen performances.” Danny Kaye “for his unique talents, his service to the Academy, the motion picture industry, and the American people.” Jon Whiteley “for his outstanding juvenile performance in The Little Kidnappers Vincent Winter “for his outstanding juvenile performance in The Little Kidnappers |
Best Foreign Language Film: Jigokumon (Gate of Hell) (Japan) |
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