| 2022 Grammy Award Winners Winners Announced: April 3, 2022 Held at: MGM Grand Garden Arena Host: Trevor Noah Eligibility Year: September 1, 2020, to September 30, 2021 |
| Record of the Year: Leave the Door Open – Silk Sonic — Dernst “D’Mile” Emile II & Bruno Mars, producers; Serban Ghenea, John Hanes & Charles Moniz, engineers/mixers; Randy Merrill, mastering engineer |
| Album of the Year: We Are – Jon Batiste |
| Song of the Year: Leave the Door Open – Brandon Anderson, Christopher Brody Brown, Dernst Emile Ii and Bruno Mars, Songwriters (Silk Sonic) |
| Best New Artist: Olivia Rodrigo |
| Best Pop Solo Performance: Drivers License – Olivia Rodrigo |
| Best Pop Duo/Group Performance: Kiss Me More – Doja Cat featuring SZA |
| Best Traditional Pop Vocal Album: Love for Sale – Tony Bennett and Lady Gaga |
| Best Pop Vocal Album: Sour – Olivia Rodrigo |
| Best Dance Recording: Alive – Rüfüs Du Sol, Jason Evigan & Rüfüs Du Sol, producers; Cassian Stewart-Kasimba, mixer |
| Best Dance/Electronic Album: Subconsciously – Black Coffee |
| Best Contemporary Instrumental Album: Tree Falls – Taylor Eigsti |
| Best Rock Performance: Making a Fire – Foo Fighters |
| Best Metal Performance: The Alien – Dream Theater |
| Best Rock Song: Waiting on a War – Dave Grohl, Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett and Pat Smear, Songwriters (Foo Fighters) |
| Best Rock Album: Medicine at Midnight – Foo Fighters |
| Best Alternative Music Album: Daddy’s Home – St. Vincent |
| Best R&B Performance (tie): Leave the Door Open – Silk Sonic Pick Up Your Feelings – Jazmine Sullivan |
| Best Traditional R&B Performance: Fight for You – H.E.R. |
| Best R&B Song: Leave the Door Open – Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars, songwriters (Silk Sonic) |
| Best Progressive R&B Album: Table for Two – Lucky Daye |
| Best R&B Album: Heaux Tales – Jazmine Sullivan |
| Best Rap Performance: Family Ties – Baby Keem ft. Kendrick Lamar |
| Best Melodic Rap Performance: Hurricane – Kanye West ft. The Weeknd & Lil Baby |
| Best Rap Song: Jail – Dwayne Abernathy, Jr., Shawn Carter, Raul Cubina, Michael Dean, Charles M. Njapa, Sean Solymar, Brian Hugh Warner, Kanye West & Mark Williams, songwriters (Kanye West featuring Jay-Z) |
| Best Rap Album: Call Me If You Get Lost – Tyler, the Creator |
| Best Country Solo Performance: You Should Probably Leave – Chris Stapleton |
| Best Country Duo/Group Performance: Younger Me – Brothers Osborne |
| Best Country Song: Cold – Dave Cobb, J.T. Cure, Derek Mixon and Chris Stapleton, songwriters (Chris Stapleton) |
| Best Country Album: Starting Over – Chris Stapleton |
| Best New Age Album: Divine Tides – Stewart Copeland and Ricky Kej |
| Best Improvised Jazz Solo: Humpty Dumpty (Set 2) – Chick Corea, soloist |
| Best Jazz Vocal Album: Songwrights Apothecary Lab – Esperanza Spalding |
| Best Jazz Instrumental Album: Skyline – Ron Carter, Jack DeJohnette and Gonzalo Rubalcaba |
| Best Large Jazz Ensemble Album: For Jimmy, Wes AND Oliver – Christian McBride Big Band |
| Best Latin Jazz Album: Mirror Mirror – Eliane Elias With Chick Corea and Chucho Valdés |
| Best Gospel Performance/Song: Never Lost – CeCe Winans |
| Best Contemporary Christian Music Performance/Song: Believe For It – CeCe Winans; Dwan Hill, Kyle Lee, CeCe Winans, and Mitch Wong, songwriters |
| Best Gospel Album: Believe for It – CeCe Winans |
| Best Contemporary Christian Music Album: Old Church Basement – Elevation Worship and Maverick City Music |
| Best Roots Gospel Album: My Savior – Carrie Underwood |
| Best Latin Pop or Urban Album: Mendó – Alex Cuba |
| Best Latin Rock or Alternative Album: Origen – Juanes |
| Best Regional Mexican Music Album (Including Tejano): A Mis 80’s – Vicente Fernández |
| Best Tropical Latin Album: Salswing! – Rubén Blades y Roberto Delgado & Orquesta |
| Best American Roots Performance: Cry – Jon Batiste |
| Best American Roots Song: Cry – Jon Batiste and Steve McEwan, songwriters (Jon Batiste) |
| Best Americana Album: Native Sons – Los Lobos |
| Best Bluegrass Album: My Bluegrass Heart – Béla Fleck |
| Best Traditional Blues Album: I Be Trying – Cedric Burnside |
| Best Contemporary Blues Album: 662 – Christone “Kingfish” Ingram |
| Best Folk Album: They’re Calling Me Home – Rhiannon Giddens with Francesco Turrisi |
| Best Regional Roots Music Album: Kau Ka Pe’a – Kalani Pe’a |
| Best Reggae Album: Beauty in the Silence – Soja |
| Best Global Music Album: Mother Nature – Angelique Kidjo |
| Best Global Music Performance: Mohabbat – Arooj Aftab |
| Best Children’s Music Album: A Colorful World – Falu |
| Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling): Carry On: Reflections for a New Generation From John Lewis – Don Cheadle |
| Best Comedy Album: Sincerely Louis C.K. – Louis C.K. |
| Best Musical Theater Album: The Unofficial Bridgerton Musical – Emily Bear, producer; Abigail Barlow and Emily Bear, composers/lyricists (Barlow & Bear) |
| Best Compilation Soundtrack for Visual Media: The United States vs. Billie Holiday – Andra Day |
| Best Score Soundtrack For Visual Media (tie): The Queen’s Gambit – Carlos Rafael Rivera, composer “Bridgerton,” Kris Bowers, composer Soul – Jon Batiste, Trent Reznor and Atticus Ross, composers |
| Best Song Written for Visual Media: All Eyes On Me [From Inside] – Bo Burnham, songwriter (Bo Burnham) |
| Best Instrumental Composition: Eberhard – Lyle Mays, composer (Lyle Mays) |
| Best Arrangement, Instrumental or A Capella: Meta Knight’s Revenge (From ‘Kirby Superstar’) – Charlie Rosen and Jake Silverman, arrangers (The 8-Bit Big Band featuring Button Masher) |
| Best Arrangement, Instruments and Vocals: To The Edge Of Longing (Edit Version) – Vince Mendoza, Arranger (Vince Mendoza, Czech National Symphony Orchestra and Julia Bullock) |
| Best Immersive Audio Album: Alicia – George Massenburg and Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Ann Mincieli, immersive producer (Alicia Keys) |
| Best Immersive Audio Album (63rd GRAMMYS): Soundtrack of the American Soldier – Leslie Ann Jones, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Dan Merceruio, immersive producer (Jim R. Keene and the United States Army Field Band) |
| Best Recording Package: Pakelang – Li Jheng Han and Yu, Wei, Art Directors (2nd Generation Falangao Singing Group and the Chairman Crossover Big Band) |
| Best Boxed or Special Limited Edition Package: All Things Must Pass: 50th Anniversary Edition – Darren Evans, Dhani Harrison and Olivia Harrison, art directors (George Harrison) |
| Best Album Notes: The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions 1946-1966 – Ricky Riccardi, album notes writer (Louis Armstrong) |
| Best Historical Album: Joni Mitchell Archives, Vol. 1: The Early Years (1963-1967) – Patrick Milligan and Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell) |
| Best Engineered Album, Non-Classical: Love for Sale – Dae Bennett, Josh Coleman, and Billy Cumella, engineers; Greg Calbi and Steve Fallone, mastering engineers (Tony Bennett and Lady Gaga) |
| Producer of the Year, Non-Classical: Jack Antonoff |
| Best Remixed Recording: Passenger – (Mike Shinoda Remix); Mike Shinoda, remixer (Deftones); track from: “White Pony” (20th Anniversary Deluxe Edition) |
| Best Engineered Album, Classical: Chanticleer Sings Christmas – Leslie Ann Jones, engineer (Chanticleer) |
| Producer of the Year, Classical: Judith Sherman |
| Best Orchestral Performance: Price: Symphonies Nos. 1 & 3 – Yannick Nézet-Séguin, conductor (Philadelphia Orchestra) |
| Best Opera Recording: Glass: Akhnaten – Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus) |
| Best Choral Performance: Mahler: Symphony No. 8, ‘Symphony of a Thousand’ – Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale) |
| Best Chamber Music/Small Ensemble Performance: Beethoven: Cello Sonatas – Hope Amid Tears – Yo-Yo Ma and Emanuel Ax |
| Best Classical Instrumental Solo: Alone Together – Jennifer Koh |
| Best Classical Solo Vocal Album: Mythologies – Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler) |
| Best Classical Compendium: Women Warriors – The Voices of Change – Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers |
| Best Contemporary Classical Composition: Shaw: Narrow Sea – Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish, and Sō Percussion) |
| Best Music Video: Freedom – (Jon Batiste); Alan Ferguson, video director; Alex P. Willson, video producer |
| Best Music Film: Summer of Soul – (Various Artists); Ahmir “Questlove” Thompson, video director; David Dinerstein, Robert Fyvolent and Joseph Patel, video producers |
